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David Rockefeller, 101. The billionaire businessman and philanthropist who was the last in his generation of one of the country’s most famously philanthropic families. March 20. Martin McGuinness, 66. The Irish Republican Army commander who led his underground paramilitary movement toward reconciliation with Britain. March 21. Chuck Barris, 87. His game show empire included “The Dating Game,” “The Newlywed Game” and that infamous factory of cheese, “The Gong Show.” March 21.

Journey & Steve Miller Band, With Tower of Power, 5 p.m, July 26, Shoreline Amphitheatre at Mountain View, $39.50- $151, Ticketmaster.com or 800-745-3000, Santana, 7 p.m, July 27, Shoreline Amphitheatre at Mountain View, $31.50-$156, Ticketmaster.com or 800-745-3000, Arcade Fire, 6 p.m, July 30, Shoreline Amphitheatre at Mountain View, $30.50-$70.50, Ticketmaster.com ballet shoes applique - ballerina shoes applique - pointe shoes design - ballet applique - ballet shoes design or 800-745-3000, Dierks Bentley, With Chris Young, Chase Rice and Jon Pardi, 5:30 p.m, July 31, Shoreline Amphitheatre at Mountain View, $29.25-$54, Ticketmaster.com or 800-745-3000..

The dancers in “Boats Without Borders” include Caroline Melson, whose father, Christopher Lee Melson, served as an American soldier in the Vietnam War. He was injured in combat. “He said a little girl saved his life,” Melson said. “The girl packed mud into his wound to prevent it from bleeding.”. Another dancer is Lindsay Correa. Her father, George Correa, also was an American soldier in the war. He was injured three times, including once when he was shot in the hand.

Equally captivating was Hope’s solo work in a selection of contemporary works, including Bechara El-Khoury’s “Unfinished Journey,” composed to commemorate the 10th ballet shoes applique - ballerina shoes applique - pointe shoes design - ballet applique - ballet shoes design anniversary of Menuhin’s death, The violinist also brought exquisite focus to Toru Takemitsu’s “Nostalghia,” and to Arvo Part’s “Darf ich,” with the Estonian composer’s writing for violin, strings and tubular bell (played by percussionist Galen Lemmon) casting an otherworldly spell, Both scores were written for Menuhin..

Bales’s decision was, and remains, controversial. Quite a few music lovers, including this writer, believe that a music director — the right music director — would hold the orchestra to consistent technical standards in performance, unlocking and sharpening its sound, section by section, establishing a richer vision and forward path. The response from Bales — and many of his musicians agree — is that the orchestra’s vision already is unique. They add that a rotating cast of guest conductors (including several who return with some regularity) is a fiscally prudent alternative to an expensive music director (who may or may not hit it off with the players). It keeps the orchestra flexible and open to different musical perspectives.